Jonas Ravlo Stokke

unit, steel consol in a wooden meeting roomunit, steel consol in a wooden meeting room

Unit

Unit marks the first collaboration with Eskoleia, a Norwegian company with over a century of manufacturing heritage since 1912. Since its pivot to furniture in the 1960s, the company has been Norway’s leading producer of steel plate furniture, delivering high-quality, sustainable, and flexible storage solutions for professional environments. Combining deep material knowhow with advanced computer aided design and manufacture, the output is state of the art. Beyond that, Eskoleia has long prioritized both users and makers, evident in their retraining program that helps people re-enter the job market.

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Lighting at Flesland Bergen Airport designed by Jonas StokkeLighting at Flesland Bergen Airport designed by Jonas Stokke

Custom lighting, Bergen

We had collaborated with Nordic Office of Architecture on several projects so when they asked for input on their industrial design, we were eager to respond to the challenge. Our job was to design a solution using extruded aluminum pieces to ensure a sound structural solution with clean aesthetics. Since the lighting spans 17 meters we contemplated having the aluminum parts delivered by ship, but that proved unnecessary. SM Lys were responsible for the lighting engineering and Nordic already had the concept design ready.

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studio shotstudio shot

About the studio

Jonas Stokke’s design studio was established in 2016, in Oslo Norway. The studio’s work is characterized by a harmonious blend of technical prowess and aesthetic sensibility, resulting in work that are both functional and with a strong visual hook.

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Design is giving form to our objects, shaping our physical surroundings. This means as a designer we can be part of a solution or part of the problem, creating relevant and long-lasting products or frivolous objects responding to an impulse in the market.

Physical models that I can spend time with in the studio are my tools for ensuring the geometry, functions, and materiality are right. Being selective in my collaborations is how I know a project's lifecycle is handled responsibly.

My ambition is for this combination to create long-lasting products.